I have been producing records since 1978. In that time I have been lucky enough to work with hundreds of artists of vastly different abilities, playing and singing music in innumerable styles. During that time I have developed my production methods.
One of my first major experiences was in 1978 at CTS, Wembly, with the London Philharmonic Orchestra recording Tarka. As a result of this extraordinary experience, I became certain that this is what I wanted to do with my life.
I learned to listen more precisely when I became a Cathedral choirboy. later i discovered the importance of listening without excessive judgement, seeking the idea behind a performance. Not only the notes, obviously, but to the intention, the passion, the meaning of the lyrics.
I like to find out what the artist wants to say. If they don’t know consciously, a good conversation can sometimes discover the truth.
Personally I don’t enjoy weak music or music with no passion. I would rather listen to music with ‘mistakes’ and passion than music which is perfect and soul-less. I think most people agree.
A Trick
So the trick is, how do we achieve the conditions necessary for a great recording experience. How do we use production methods to ensure the necessary technical control and the required sound?
How do we stop the equipment and the recording technique getting in the way of the performers and the performance? Getting the people in the right place and letting them have an input into the physical arrangement – the sight lines etc. is a vital first step.
Take your time to get it right
Dont rush it. if the artists are relaxed and communicating easily, the music will automatically be at its best. If we work together to get that arrangement right, we can record a great deal of good music in a short time. If however the set-up is ill considered or inappropriate, than no amount of overdubs or expensive mixing is going to fix it.
Each individual and group has a different dynamic in this respect and so what I do is
- have a discussion about goals, finance, time, location
- try and see the act live if possible
- find out what works for you and your project
- check that it continues to work, otherwise, we change tack!
Production Methods – Its Simple
Sound simple? Well it is. I always try to make recording a fun, exciting and energetic experience, so we all have the opportunity to give our best. Production Methods are not static or inviolate, they must be flexible and adapt to the artistic needs.
That way the end result will also be exciting and inspiring.